TWINE
Image Credit: Manuel Harlan
At first glance, adoption may seem like a straightforward exchange—one where a family seeking a child is united with one in need of a home. It’s a lengthy, often intricate process, but ultimately a rewarding one, right?
In part, yes—it’s a source of joy. Yet, when examined more closely, adoption has many layers. Each story is multifaceted, involving not only the families who lose and those who gain but, most significantly, the child at the heart of it all. For that child, emotions can range from the relief of answered questions to the weight of many left unanswered.
Selina Thompson’s Twine brings the complexities of adoption into focus as we follow Sycamore’s journey through the perspectives of Seed (Nandi Bhebhe), Sapling (Angeline Chudi), and Bark (Muki Zubis). These three representations of Sycamore embody different phases of her life, each filled with its own measure of pain, regret, and anger. In a deeply immersive and interactive format, Thompson leads the audience through a rediscovery of identity by delving into the depths of her adopted roots.
Upon stepping into Naomi Kuyck-Cohen's set design, the audience is met with three tree-like structures, each uniquely crafted to represent key figures in Sycamore’s life. Whether it’s the green knitted fabric, the dark log-like material, or the wooden, bookshelf-shaped tree symbolising adoption records, each element thoughtfully complements the ecological themes that thread through the performance.
Nandi Bhebhe, portrayal of Seed, guides both the audience and her fellow performers—Sapling and Bark —as they navigate an unfamiliar space. Gradually, they come to realise they are connected, their thoughts and feelings intertwined, even when in conflict.
As the trio embarks on their journey, they confront themes of grief, family, separation, and much more. In their search for truth, uncomfortable revelations emerge about the adoption process, birth parents, and siblings. Bhebhe plays a pivotal role in portraying additional characters, including a social worker, mother, and brother, broadening the emotional scope of the narrative.
Under Jennifer Tang’s direction, the trio masterfully weave their songs into the dialogue, effortlessly surprising the audience at every turn. Additionally, the play strikes a delicate balance, infusing moments of humour into what is otherwise a profound and intricate narrative. However, there are instances where the pacing accelerates to the point that it becomes challenging to fully grasp the significance of what has just unfolded.
While the play’s length and certain moments may feel incomplete or fleeting, the richness of the topics it tackles is undeniable. With further refinement and sharper focus, there is potential to elevate an already sincere piece into something even greater.
Overall, Twine presents a captivating narrative—one of discovery and rediscovery—that not only challenges perceptions of truth but also sparks meaningful conversations about the underlying causes of unresolved issues.
★★★☆☆
By Eniola Edusi
